This thrilling period drama follows the powerful Medici family living in Florence in the early 15th Century. The series follows Cosimo who finds himself in charge of his family vast estate and banking dynasty when his father dies. These irresistible Italians sure know their way around some nudity and we get some tasty treats in this series.
Sandro Botticelli, Birth of Venus, c. Unfortunately, we do not know for sure which Medici it was painted for, or which location it was originally hung in. Before considering the subject matter, it is important to take note of the medium.
Painted by Sandro Botticelli between andit has become a landmark of XV century Italian painting, so rich in meaning and allegorical references to antiquity. Venus is portrayed naked on a shell on the seashore; on her left the winds blow gently caressing her hair with a shower of roses, on her right a handmaid Ora waits for the goddess to go closer to dress her shy body. The meadow is sprinkled with violets, symbol of modesty but often used for love potions.
Medici: Masters of Florence is a political and family drama about the infamous 15th century Renaissance family that influenced Italy. Cosimo de'Medici Richard Madden must rise to the occasion as the leader of his banking family when his father dies. What follows in the series are the struggles of a family who must deal with jealousy, power, and love during a pivotal time in European history. Anabel Scholey as Contessina de'Medici shows off her ripe, peachy ass when she lifts her skirts up to tease Mr.
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The Birth of Venus By Botticelli. One of the finest works of the Italian Renaissance. For other important pictures, see: Famous Paintings Analyzed.
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The Nude Mona Lisa "invented" by Leonardo is the result of budding research in Florentine Neoplatonist circles during the s with whom the master was acquainted. Botticelli and Piero di Cosimo painted her in the nude, thus giving birth to a true pictorial subject matter, polysemous and at the intersection of genres. The Italian master spent a lot of time perfecting his work.
L orenzo de' Medici, the Magnificent, had no sense of smell. In Vasari's portrait, he broods among classical relics, objects redolent of an occulted past. His face is long and incised and melancholy, but his nose, in this painting done after his death, is flatteringly restored from what was, in life, a flattened ruin.
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